“It’s one
thing to understand the Arms and another to be a skilled man.”
Don Jeronimo
Carranza
Hello
there! This post will be a reflection
with lessons learned from the Barony Beyond the Mountain (BBM) Yule rapier
tourney I entered last weekend. Let me
start by saying that I am extremely happy that I went to this SCA event and
entered the tourney. I placed 5th and learned some important things in the process.
The quote
above seemed pretty appropriate in regards to the tourney for me. Most of the time in his treatise when
Carranza refers to “The Skill” he is talking about the actual practice of
Verdadera Destreza. He continues the
quote above with,
“A skilled man is he who is practiced in the practical aspects
of the Arms
or in things of the practical nature.”
or in things of the practical nature.”
When he talks about “Arms”
he refers more to the study of the theory of the practice. I have been trying to balance these two
studies recently and the tourney was a great chance for me to see how my skill
is coming along. So enough philosophy,
here are my take home points:
- It was NOT a hybrid, it was Verdadera Destreza
- A bad tournament mind can mess with you
- Everything I do with the Right, I must do with the Left
- Bonus lesson: Hand hits and sword hilts
Last week
before the tourney I mentioned at practice and on G+ that I was going to speed
up my fencing for the tourney and that it would be a hybrid of my Destreza and
my athletic/previous martial skill. After putting it into action and some
reflection I realized that wasn’t accurate. What I put into use was far from perfect
Destreza, since I am new to this, but it was the "Skill" and the moves I have been
drilling for the past few months sped up and without conscious thought. I was
using the footwork, angles, and arm positioning as well as some basic combat theory. What I realized is that if it looks like a
duck, quacks like a duck, it can be called 100% beginner Destreza, heh. I now intend to go back to my footwork and
technique drills and continue fighting folks slower and more intentionally, as I
have been doing at practice, to ingrain the muscle memory more. Probably three
quarter speed is my guess based on what the sped up moves feel like. At the suggestion of a friend I will be
speeding it up to tourney rate about once a month to see how the skills are
porting over and being incorporated at full speed. I do believe after watching the Puck and
Romagnan bouts again that I need to slow down my tourney pace a bit and treat
those full speed fights more as bull fights and less as a running with the bulls.
I have been
in a number of rapier as well as martial arts tournaments before and I can
honestly say that headspace has never been a problem for me. Last week was very humbling, as part way
through I went up against some very good fencers who had my number and it
messed with my mind in the moment. Thanks
to a bout that had me laughing hysterically (thank you Sorcha) and some good
people, I was able to get out of it before the tourney ended. Afterwards I did some reflection on how I
ended up there, so I could avoid it in the future. I realized that in my
previous tourneys I went into them without anything to lose and to paraphrase Aikido
founder Morihei Ueshiba, I was practicing with fierce joy. This time around I was went into the tourney
after months and months of practicing a new style and art. I was truly wondering and some might say
worried if I had wasted all of that time on something that wouldn’t actually
work. My mind got messed up in that
moment when I started counting my fights won/lost as if those mattered. The good news is I got out of it and my
training did work and pay off. Lesson learned that going forward I shouldn’t count my bouts at all and simply put, I should fight with more joy.
This next
one isn’t as deep as the first points, but pretty important. During the tourney I lost my right hand a
number of times and when I switched to my left I was practically useless and as
good as dead. I am doing a few things to
fix this. 1. I need to think about my arm and hand
position when I am fighting, 2. I am changing out my rig/hilt and going back to my first ring
hilt which has more coverage than the clam shell I have been using, and 3. I have started
drilling all of my techniques and footwork in my left hand as well. Thanks to my arnis and previous martial
training I am quite ambidextrous. All of
my standard warm up and technique drills are now going to be done on both
sides. Ta da! Let’s hope that works and
is as easy as the paragraph sounds. I am
thinking it won’t be quick, but it should work.
Bonus
thoughts and research: Getting my hand
and forearm hit made me start to ponder the hilts/guards used most popularly
within Spanish fencing and why.
Specifically the use of the cup hilt which adds more protection. My very loose theory is that the development
of the cup hilt and it popularly being known as the “Spanish cup hilt” could be
directly related to Destreza and the stance that relies largely on the hand
being held so far out. Some evidence
shows that they gained use (early to mid 17th century) at the same
time that Destreza rose to popularity in Spain.
Yes, there are Italian cup hilts out there. From what I found in a quick poke is that
many of them are from northern Italy, which isn’t that far from Spain. I also know that some Italian styles do have
extended guards, such as Giganti if I remember correctly. This is all a theory right now that I am
starting to research and work out. We will
see if it turns into an A & S thing in the future, but either way I am
finding all of it very interesting.
Next post
will be more philosophy as well as some reflections on the amazing Sebastien
Romagnan Destreza book I just got in the mail and I am starting to read
through. You can find the link on my
Destreza Resource page, but here it is again: Destreza, Historical Fencing.
Thanks for
reading.